for bad bots

Press

A Season of Psychic Noise: Bo Joseph Interviews with Artsy

November 16, 2016 - Suzy Spence

On the first day of his exhibition A Season of Psychic Noise, I had the pleasure of speaking with fellow painter Bo Joseph. Bo and I were born the same year and attended New England colleges where our initiation to art history in the late 80s was through Louise Gardner’s encyclopedic tome Art Through the Ages. We were in agreement that the book had been useful (we still own our copies), and that it was regrettable to have professors skip entire chapters on Africa or Asia in the service of presenting a linear Western leaning history. I was fascinated to learn that he’d remedied this with extensive travel and research, a journey that has enabled him to define art on his own terms.

Slate: Tyler Haughey Photographs Motels in his Series, "Ebb Tide"

August 19, 2016 - Jordan G. Teicher

Five years ago, Tyler Haughey, then a student at Drexel University, was driving along the coast when he happened to pass through the Wildwoods. A Jersey Shore native, he’d heard about the Wildwoods but had never been to any of them before. It was February, and the motels were deserted, but he found them captivating, and so he stopped to photograph some of them.

“It felt like I’d happened upon an abandoned film set,” he said.

Artsy Interviews Shelley Reed: Never-Ending Painting

June 7, 2016 - Amy Rahn

Artist Shelley Reed excerpts small details from Old Master paintings, expanding and re-contextualizing them in her often large-scale black and white paintings. On a recent sunny morning in Brooklyn, Amy Rahn spoke with the artist about the origins and intentions behind her work, the time-traveling potential of representation, and her current exhibition at Sears-Peyton Gallery.

Poogy Bjerklie, The Hudson Review by Karen Wilkin

May 19, 2016 - Karen Wilkin

Poogy Bjerklie’s debut exhibition at Sears-Peyton Gallery, Chelsea, titled “Inland,” reminded us of what happens when observation is internalized and used freely.  Bjerklie’s mysterious, intimate landscapes appear to be about places she knows well-probably in her native Maine-filtered through memory. 

Download Article (PDF)

Bittersweet at Sears-Peyton Gallery

May 4, 2016 - Art Out

"Bittersweet" featured in Musee Magazine.

Time and Place: Kathryn Lynch's interview with Artsy

March 1, 2016 - Amy Rahn

Over her more than 25 years painting and exhibiting her work in New York and elsewhere, Kathryn Lynch has established herself as a painter whose works harness the lush materiality of paint to gesture towards subjects seemingly beyond the frame—relationships, change, the passing of time. On the occasion of Kathryn Lynch’s two-part exhibition, A View of One’s Own at Sears-Peyton Gallery, I sat down with the painter to talk about her life, paintings, and the curiously dictatorial tendencies of her shapes.

Contemporary Watercolor Artists You Should Follow

February 18, 2016 - Angie Kordic

Widewalls Magazine names Top 10 Contemporary Watercolor Artists to Follow including Lourdes Sanchez

Deborah Dancy: Between Abstraction and Representation - ARTPULSE

December 16, 2015 - Jeff Edwards

Although her art is thoroughly abstract, Deborah Dancy’s paintings, drawings, and works in other mediums are intimately bound to the world of concrete objects and the ephemeral perceptions and feelings of everyday life. On her website (deborahdancy.com), she comments on her fascination with “the poetic terrain of the incomplete, the fragment, the ruin and residue of ‘almost was,’ and ‘might become’” that she’s encountered in the zone between abstraction and representation. In the following interview, Dancy talks about how this notion has influenced her artmaking; the wide and ever-expanding array of thoughts, impressions, and situations that have shaped her artistic practice over time; the interaction of different mediums in her creative process; and ways in which the commonplace and the near-at-hand have often had a profound influence on her most abstract work.

Download Article (PDF)

Jigsaw Puzzle With an Integrating Thread - The East Hampton Star

December 16, 2015 - Mark Segal

“I’m very uninterested in subject matter,” Eugene Brodsky told a recent visitor to his East Hampton studio, although he has also said that “the sources for my work start from images I come across.” In his artworks, things are what they seem, and yet there’s more than meets the eye.

Elizabeth Gilbert collaborates with artist Lourdes Sanchez on hand-painted copies of Big Magic -- exclusive

November 9, 2015 - Isabella Biedenharn

If you still haven’t picked up your copy of Elizabeth Gilbert’s No. 1 New York Times best-seller Big Magic (or if your copy has gotten so dog-eared and loved that you need another), you’re in luck: Riverhead, Gilbert’s publisher, is teaming up with New York artist Lourdes Sanchez to create 250 one-of-a-kind, limited edition copies, EW can announce exclusively.

Next Page | 1 2 3 4 5 6 ... 8 | View All