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Accentuate the Negative: Bo Joseph’s Painted Silhouettes Reveal Hidden Connections within Blank Spaces. Artsy Editorial

April 23, 2015 - Anna Furman

Bo Joseph's complex, patterned paintings are the result of a process of deconstructing and reconfiguring forms and materials, often leaving the results up to chance. He plucks images from auction catalogues and books, traces them, lathers them with paint, then peels off said layers of paint, and outlines the fragments that remain. Several of these works, currently on view at Sears-Peyton Gallery, explore what happens when objects are stripped of their cultural, religious, temporal, and geographical contexts and assigned new meanings.

Rick Shaefer Draws the Line at Housatonic Museum of Art

March 20, 2015 - Janet Serra

Drawing is essential to the training of an artist. It is the most direct medium between the artist and his observations, thoughts, feelings and experiences—serving both as a record and as a revealer of truth. Drawing is both a cognitive and manual process that provides the foundation for painting, sculpture and architecture. Fairfield artist Rick Shaefer’s monumental, breath-taking drawings offer viewers an adventure in looking with his technically precise and visually poetic drawings of animals and nature.

RICK SHAEFER, "Events in Connecticut", New York Times

February 28, 2015

"Rick Shaefer: Drawing the Line" at the Hausatonic Museum of Art, a solo exhibition through March 27th, featured in the New York Times on Saturday, February 28, 2015.

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Jane Rosen featured on SquareCylinder.com

February 26, 2015

Jane Rosen's work featured in “Materials Matter” through March 30 @ Seager Gray Gallery.

EUGENE BRODSKY, "Plans", The East Hampton Star

December 2, 2014 - Mark Segal

“Plans,” an exhibition of recent ink-on-silk works by Eugene Brodsky, an artist with studios in East Hampton and New York City, is on view at Sears-Peyton Gallery in Chelsea through Dec. 20.

The works reflect Mr. Brodsky’s fascination with the blueprints and sketches of significant 20th-century architecture, especially “the worked-on, tattered, erased, and notated records of how something came to be.” Each piece fuses his vision with that of an architect or planner, resulting in images that suggest, but do not replicate, their origins.

Mr. Brodsky has described these pieces as “essentially creating a jigsaw puzzle of silk,” a complicated process that includes drawing, collage, vector conversion, laser-cutting, inking, silk-stretching, pinning, and assembly, processes that, in the artist’s words, “remain mostly invisible to the viewer, who rightly just sees what’s there.”

JANE ROSEN in Works & Conversations

November 12, 2014 - Richard Whittaker

Jane Rosen interviewed by Richard Whittaker

RICK SHAEFER'S American Bison featured in the LA Times

August 31, 2014 - Adam Tschorn

Luxe L.A. bag and accessories brand Parabellum has opened its first permanent brick-and-mortar space — a flagship store on Melrose Avenue just west of Paul Smith’s pink pied-a-terre.

The shop, which officially opened Aug. 23, has a western interior wall dominated by a 12-foot-by-9-foot three-panel charcoal drawing of an American bison created by artist Rick Shaefer opposite a custom-made, 8-foot-long, black bison leather Chesterfield sofa with claw feet. Other wall art includes mirror and metal pieces by L.A. brand Blackman Cruz.

Review of SHELLEY REED'S retrospective at the Columbia Museum of Art

July 18, 2014

An insightful review of Shelley Reed's retrospective at the Columbia Museum of Art

KATHRYN LYNCH Sears-Peyton, ARTnews

January 28, 2014 - by Stephanie Strasnick

Kathryn Lynch reviewed in ARTnews

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ARTslant, An Interview with CELIA GERARD

January 20, 2014 - by Charlie Schultz

A Form Between Forms: An Interview with Celia Gerard 

Celia Gerard is an artist for whom two sticks of charcoal, a bit of white paint, and a strong sheet of paper is plenty of material. "Line Quality" could be her mantra, and looking at her works one can see why. Gerard's abstract compositions are built on geometric foundations of linear marks that may be subtle or bold but are always decisive. While her solo exhibition, "Lost at Sea," was being hung, ArtSlant editor Charlie Schultz paid Gerard a visit to discuss her newest body of work.