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Burnaway.org Review, In Poetic Works, Maysey Craddock Transports Gulf Coast to New York

October 1, 2015 - Jean Dykstra

Art Review: In Poetic Works, Maysey Craddock Transports Gulf Coast to New York

Maysey Craddock took the title of her show, “Langsam Sea,” from a poem by Anne Michaels, which reads, in part: “In time, night after night, we’ll begin to dream of a langsam sea, waves in slow motion, thickening to sand.” A German term, often used in musical notation to direct the musicians to play slowly, “langsam” also describes the gradual but inexorable pace of change along the Gulf coastline.

With Silk as Her Canvas, Lourdes Sanchez Finds the Rhythm of Paint

June 5, 2015 - K. Sundberg

In “entonces” at Sears-Peyton Gallery in Chelsea, Cuban-born and Brooklyn-based Lourdes Sanchez presents a vibrant grouping of formal explorations that hover between abstraction and representation. Working in ink on silk, the artist accesses a playful space between control and acquiescence, understanding her materials to the extent where she creates limits and then sets them free, allowing natural seepage and absorption to determine the form they take.

Kathryn Lynch, An Artist at the Mercy of Her Subjects - The East Hampton Star

June 1, 2015 - Mark Segal

It’s a good thing Kathryn Lynch is a committed walker, since she doesn’t like to drive, and the subway stop nearest her Red Hook studio is more than a mile away. But there is a more important reason for her perambulations. “I make sure that every day I have to walk everywhere,” she said recently at her studio, a relatively small but high-ceilinged space in an industrial building. “As I’m walking, it tells me what I’m painting next. I never look for it. But once it grabs you, you have to paint it. For me, the motion of walking leads to ideas.”

Accentuate the Negative: Bo Joseph’s Painted Silhouettes Reveal Hidden Connections within Blank Spaces. Artsy Editorial

April 23, 2015 - Anna Furman

Bo Joseph's complex, patterned paintings are the result of a process of deconstructing and reconfiguring forms and materials, often leaving the results up to chance. He plucks images from auction catalogues and books, traces them, lathers them with paint, then peels off said layers of paint, and outlines the fragments that remain. Several of these works, currently on view at Sears-Peyton Gallery, explore what happens when objects are stripped of their cultural, religious, temporal, and geographical contexts and assigned new meanings.

Rick Shaefer Draws the Line at Housatonic Museum of Art

March 20, 2015 - Janet Serra

Drawing is essential to the training of an artist. It is the most direct medium between the artist and his observations, thoughts, feelings and experiences—serving both as a record and as a revealer of truth. Drawing is both a cognitive and manual process that provides the foundation for painting, sculpture and architecture. Fairfield artist Rick Shaefer’s monumental, breath-taking drawings offer viewers an adventure in looking with his technically precise and visually poetic drawings of animals and nature.

RICK SHAEFER, "Events in Connecticut", New York Times

February 28, 2015

"Rick Shaefer: Drawing the Line" at the Hausatonic Museum of Art, a solo exhibition through March 27th, featured in the New York Times on Saturday, February 28, 2015.

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Jane Rosen featured on SquareCylinder.com

February 26, 2015

Jane Rosen's work featured in “Materials Matter” through March 30 @ Seager Gray Gallery.

EUGENE BRODSKY, "Plans", The East Hampton Star

December 2, 2014 - Mark Segal

“Plans,” an exhibition of recent ink-on-silk works by Eugene Brodsky, an artist with studios in East Hampton and New York City, is on view at Sears-Peyton Gallery in Chelsea through Dec. 20.

The works reflect Mr. Brodsky’s fascination with the blueprints and sketches of significant 20th-century architecture, especially “the worked-on, tattered, erased, and notated records of how something came to be.” Each piece fuses his vision with that of an architect or planner, resulting in images that suggest, but do not replicate, their origins.

Mr. Brodsky has described these pieces as “essentially creating a jigsaw puzzle of silk,” a complicated process that includes drawing, collage, vector conversion, laser-cutting, inking, silk-stretching, pinning, and assembly, processes that, in the artist’s words, “remain mostly invisible to the viewer, who rightly just sees what’s there.”

JANE ROSEN in Works & Conversations

November 12, 2014 - Richard Whittaker

Jane Rosen interviewed by Richard Whittaker

RICK SHAEFER'S American Bison featured in the LA Times

August 31, 2014 - Adam Tschorn

Luxe L.A. bag and accessories brand Parabellum has opened its first permanent brick-and-mortar space — a flagship store on Melrose Avenue just west of Paul Smith’s pink pied-a-terre.

The shop, which officially opened Aug. 23, has a western interior wall dominated by a 12-foot-by-9-foot three-panel charcoal drawing of an American bison created by artist Rick Shaefer opposite a custom-made, 8-foot-long, black bison leather Chesterfield sofa with claw feet. Other wall art includes mirror and metal pieces by L.A. brand Blackman Cruz.