Light, Through Fields of Color
June 29, 2010 - Lilly Wei
"In 2004, Betty Merken made a painting called Summer Fruit that was crucial to her development as an artist. Halved into two canvases, one was brushed a succulent coral, like the flesh of a ripe melon while the other, green-gold, ribbed, netted, conjured its outer skin. The viewer could easily regard it, with or without its title, as a melon pared to its visual essence, more melon-like, arguably, than a realistic depiction. On the other hand, it could also be seen as non-objective. But, more completely, more alluringly, it could be considered both. It was the first such painting she had made, in which the focus was on the fluidity of exchange between the referential and non-referential."
Download Article (PDF)