Art in America: Bo Joseph Review
September 1, 2010 - Gerard McCarthy, Art in America
"The seven large paintings and 20 mixed-medium works on paper by California-born New York artist Bo Joseph in this show, all produced in the past two years, are colorful, richly textured abstractions combined with figurative elements- all silhouettes made with stencils. Set against milky white backgrounds, the silhouettes, resembling heads or masks, human limbs, animal shapes and sometimes full-length figures, activate the multi-layered surfaces. To begin the process in a characteristic painting such as Cult of the Persistent Absence, Joseph applies many layers of brilliantly hued gestural markings, and layers of acrylic, tempera, and gesso. He then literally washes the canvas, leaving traces of texture and flashes of contrasting and interacting colors. After this stage, he places the stencils on the surface and overlays a whitewash. When the stencils are removed, the white areas become the negative spaces as the vibrant, multicolored silhouettes glow against the cloudy ground."