Press

Press: At the Bundy Modern, Shelley Reed and Randal Thurston Explore History and Memory in Black and White, November 16, 2022 - Pamela Polston

At the Bundy Modern, Shelley Reed and Randal Thurston Explore History and Memory in Black and White

November 16, 2022 - Pamela Polston

In Randal Thurston's cutouts and Shelley Reed's paintings, a viewer can appreciate both striking beauty and something much deeper. Thurston creates "imagery associated with the idea of mortality as a way of exploring what it means to be alive," according to his artist statement. Reed writes that she is addressing "how our animal natures have or haven't changed, and what that signifies for our collective future."

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Press: The Gravity of Beauty, November 16, 2022 - Cynthia Nourse Thompson

The Gravity of Beauty

November 16, 2022 - Cynthia Nourse Thompson

 The Gravity of Beauty, a group show at the Zuckerman Museum of Art in Kennesaw, Georgia, featuring artist Shelley Reed

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Press: Fran O'Neill: Gestural heroine, November 16, 2022 - Riad Miah

Fran O'Neill: Gestural heroine

November 16, 2022 - Riad Miah

Review of Fran O'Neill's solo exhibition, Left Turn, featured in Two Coats of Paint

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Press: Artist Karin Schaefer blends divine order and queer joy with hard-edged geometry, October 26, 2022 - Michael Reynolds

Artist Karin Schaefer blends divine order and queer joy with hard-edged geometry

October 26, 2022 - Michael Reynolds

We explore the life, work and Massachusetts studio of American artist Karin Schaefer, ahead of her solo show 'Continuum' at Sears Peyton Gallery, New York.  

Lineages

October 18, 2022 - Tessa Paneth-Pollak

Catalogue Essay for Andrea Hornick: New Work 1435-1783

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Press: Andrea Hornick and Timothy Ingold: Designs for the Anthropocene, September  9, 2022

Andrea Hornick and Timothy Ingold: Designs for the Anthropocene

September 9, 2022

"A thing caught my eye—it was a swan and a white woman’s arm in the shining silver depths of a most professional photograph—and I thought: I wish it wasn’t always women with animals. It was this grumpy thought that led me toward an investigation; in time, it was also what led me to the painter Andrea Hornick, and, ultimately, this conversation."

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Press: ArtMaze Magazine: Kathryn Lynch, October  5, 2021 - ArtMaze Magazine

ArtMaze Magazine: Kathryn Lynch

October 5, 2021 - ArtMaze Magazine

"Taking long walks give me all the subject matter I need for my paintings. They are a combination of remembering, forgetting, seeing and inventing. Growing up we were the only family without a car, wlaking is how we got around and since then I have always preferred walking to all other means of transportation. The speed of walk is conducive to thinking and dreaming. I catch plimpses of all my next paintings on each walk I take. One always gets somewhere when they put one food in front of the other with determination."

–Kathryn Lynch

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Hyperallergic: You Concise Guide to Armory Week 2021

September 5, 2021 - Valentina Di Liscia, Jasmine Weber and Hakim Bishara

Salon Zürcher, a small fair organized by and held at Zürcher Gallery in Manhattan’s East Village, presents itself as an intimate alternative to large-scale, superstore-style art fairs. Inspired by artistic salons, it offers its visitors the opportunity to mingle among the artists and engage in direct discussions with them. For its 25th edition, the fair will present the fourth edition of a group show of 11 women artists titled Women of Spirit. The exhibition takes its title from the 18th-century French term “femmes d’esprit,” referring to independently-minded female painters, writers, and intellectuals who were routinely overlooked by the male-dominated art scene of their time. Hailing mostly from the United States and France, the 11 participating artists are Rosaire Appel, Jeri Coppola, Brigitte Engler, Laurel Marx, Donna Moylan, Fran O’Neill, Janet Passeh, Marcy Rosenblat, Fran Shalom, Jackie Shatz, and Rebecca Smith.

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International Sculpture Center: Don Maynard: Through a Glass, Lightly

June 17, 2021 - Gil McElroy, International Sculpture Center

"It’s a discreet work, seemingly unassuming and visually undemanding of attention. It’s entitled Looks Like Rain, and it’s a work by Canadian sculptor Don Maynard. But appearances, as the cliché goes, are deceiving, for Maynard has wrought a work that is insistently experiential. Its title gives some inkling of things; overall, the angled setting of the rods is of course suggestive of a heavy rain falling.

"But that’s perceptually static, and this piece is anything but. Walking up and down along the extent of Looks Like Rain reveals its dynamic aesthetic core, born of simple physics and human perception. The varied angles of the leaning glass rods randomly catch the gallery lighting, refracting and reflecting it in disparate ways, and the experience is that of tiny bits of light in motion like tiny drops of rain in motion."

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Places Journal: Off-Season

March 31, 2021 - Gabrielle Esperdy, Places Journal

"Famous for beaches and boardwalks thronged with summer renters and day-trippers, the Jersey shore is an unlikely place in which to depict landscapes that are still, quiet, unpopulated. Winter is coming, and the fake palms are wrapped in plastic."

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