SARA EICHNER Sears-Peyton, Metropolis Magazine
December 1, 2008 - by Mason Currey
Sara Eichner featured in Metropolis Magazine
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SARA EICHNER Sears-Peyton, Wallpaper Magazine
December 1, 2008
Sara Eichner featured in Wallpaper Magazine
Download Article (PDF)SARA EICHNER Sears-Peyton, I.D. Magazine
November 3, 2008 - by S. Moreno
Sara Eichner featured in I.D. Magazine Online
Download Article (PDF)JANE ROSEN Sears-Peyton, Sculpture Magazine
October 1, 2008 - by Jan Garden Castro
Jane Rosen reviewed in Sculpture Magazine
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The New York Times: Home & Garden: A Couple at Rest
May 29, 2008 - Penelope Green, The New York Times
"Ms. Lynch paints in Mr. Mooreís buildings, on whatever floor is empty, sharing space with the construction workers, who use a corner to have their lunch and smoke their cigarettes. (Itís an amicable arrangement, only once disturbed by an asbestos removal company worker who removed a canvas from its stretcher and tried to make away with it. Ms. Lynch intercepted him downstairs. ìOh,î he said, flummoxed. ìThe place didnít look, uh, private.î) But the construction crew is always supportive, she said, providing kindly criticism and help when she moves, which is, of course, often. Still, moving a studio is harder even than moving with young children, Ms. Lynch said. And she reckons she has moved her studio more times than she has moved her family."
Read More >> Download Article (PDF)The Gallery Andrew Zimmerman
March 6, 2008 - Amy Chase
Introducing Andrew Zimmerman who draws with scissors (above) and a saw. Yep, a saw! He is working in that sweet spot between painting and sculpture. Check 'em out below.
He cuts strips from wood panels – freehand (i.e. drawing with a saw) which gives them an irresistible irregularity – then reassembles these with a little breathing room between the strips and glues them down to a new panel.
Alarm Magazine: Roz Leibowitz
February 1, 2008 - Emma Tramposch, Alarm Magazine
"In Roz Leibowitz’s estimation, making art is about “being in [correct] alignment to the cosmic show.” However, her intricate pencil drawings and collages are not portrayals of a fantastical realm but rather depict a curios blend of vernacular culture relating to folk art and folk belief.
"In particular, she is influenced by the Victorian sensibility of ideas and interiors. Her work is compelled by notions of womanhood as expressed in the pseudo-sciences of that period, a time when scientific rationality was emerging as a dominant world view."
Elle Decor Magazine: Isabel Bigelow
January 1, 2008 - Linda Yablonsky
"Some people would say that painting is a spiritual act, but as a student Isabel Bigelow took this idea literally. After entering Harvard University in 1984, Bigelow eschewed a fine-arts major in favor of comparative religion. 'The ideas and methods of prayer and ritual resonate profoundly with the practice of creating art,' says the New York City artist. 'Through the process of painting—the repeated marks and motions—something happens that brings about a transcendent moment.'"
Catalog Essay for Dynamic Symetry, Clay Wagstaff
May 31, 2007 - Kimberly Whinna
Clay Wagstaff
May 31- June 30, 2007
Dynamic Symmetry
Sears-Peyton Gallery is pleased to announce our first solo exhibition of works by Utah based artist Clay Wagstaff.
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Catalog Essay for American Eden, Michael Abrams
February 8, 2007 - Kimberly Whinna
"The Mohonk wilderness in upstate New York has remained untouched since 1869. Nestled between the Catskills and the Hudson River, its lush hills roll undisturbed by over a century of history. It is within such time capsules of nature that Michael Abrams’ paintings find their place and time."
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